Recordings
Notes
Good recording.
Notes
With the 2021 tour dates cancelled it was another punch to the gut for all that have wanted to see shows. Luckily, Edgar sent me a message to bring a bit of cheer to everyone with some uncirculated recordings they had done in the past! These Tempe 2005 recordings are incredible. This tape was recorded inside the soundboard cage area! One of the best recordings of the tour, no question. The recordings are in AAC format at the moment, hopefully in the coming days/weeks I'll be able to add the FLAC files of this recording. Thank you again to Edgar for reaching out and sharing these amazing recordings with the archive.
Notes
With the 2021 tour dates cancelled it was another punch to the gut for all that have wanted to see shows. Luckily, Edgar sent me a message to bring a bit of cheer to everyone with some uncirculated recordings they had done in the past! These Tempe 2005 recordings are incredible. This was taped near the board and with a group of friends who acted as "blockers." The sound is amazing and crystal clear. The recordings are in AAC format at the moment, hopefully in the coming days/weeks I'll be able to add the FLAC files of this recording. Thank you again to Edgar for reaching out and sharing these amazing recordings with the archive.
Notes
Great recording. Very clear and great stereo separation.
Notes
Thanks to Travis Bickle sending this over for the archive from the collection of ML. This was recorded with AT831b mics and thanks to other traders, confirmed to be the recording of Buck Nye on a Sony TCD-D7 in LP mode. This is a DAT clone of the DAT master and is definitely one of the better Outside Tour recordings. Other sources from this show either have some of the NIN set missing, Bowie set missing etc. This is the full performance. To my knowledge this may be the first time this circulates. I have not seen this anywhere previous. The Bowie portion was transferred analog and put to LP mode. In the words from ML. Either way, looking at the spectral analysis of both the Bowie and NIN transfers that were in 16/48. These were recorded in 16/32 (LP Mode) and have been adjusted accordingly. Again, the recording is very good. There were a few pops and clicks throughout the Bowie portion that I had to remove. They were removed 100%. Most were at the end of the tape. There were some digital scratches during Reptile and Hallo Spaceboy that were omitted as well. I'd have to say that it cleaned up really well. Thanks to everyone who chimed in and helped add some of the pieces on this one!